
Showing posts with label ed li. Show all posts
Showing posts with label ed li. Show all posts
Friday, December 11, 2009
Hymn of the Pearl - Palace
This is the line drawing I've been working on all week. I had lots of problems with the perspective and I don't know if I really solved them.
Here are some tonals aka lighting studies in marker.

Thursday, December 3, 2009
Hymn of the Pearl
Sunday, November 15, 2009
Central Library
Sunday, November 1, 2009
Crowds - Mucha




Ed suggested we look at some Mucha painting for crowds. These are the ones that interest me.
Ed's notes on crowds
- Treat crowds as abstract shapes
- Pick up T-Shirt silhouette or pants
- Block in architectural shapes
- use dark and light in shadow shapes (this can be done with prismacolor pencils over markers)
- play with shapes and tones
- lead the eye by breaking up the space w/ groupings of people
- observe first and try to create a nice pattern with crows groupings
- go back later and support it
- it is more important to get outside shapes pretty well
- the further back we go the flatter the elipses get
- go back into sketches and make it better by memory
- make sure you know where the group plane is
Ed Li's - 4 Different Types of Space
According to Ed there are 4 Different Types of Spaces
1. Deep Space (i.e. and Establishing Shot - has a sense of depth)
2. Flat Space (2 Characters Simple - no converging lines in perspective)
3. Limited Space (Transition Between Flat Space and Deep Space - Generally a waist up shot - you don't get the sense of the vanishing point in your frame)
4. Abstract Space (super close or really faraway - takes a bit to figure out what you are looking at)
All these shots together give visual variety so you don't get the same shots over and over again.
When you are drawing environments think about
1. SPACE
2. LINE (width and thicknesses)
3. SHAPE
4. TONE
5. COLOR
Ed's words of wisdow
Vanishing points in drawing can be used as pointers - to point to something you want someone to look at.
The more you know about perspective the more you can move away from perspective. The world doesn't always line up on a perspective line which is part of rea world situations. Your design sensibility lets you know if you want to make this perfectly in perspective or imperfect
1. Deep Space (i.e. and Establishing Shot - has a sense of depth)
2. Flat Space (2 Characters Simple - no converging lines in perspective)
3. Limited Space (Transition Between Flat Space and Deep Space - Generally a waist up shot - you don't get the sense of the vanishing point in your frame)
4. Abstract Space (super close or really faraway - takes a bit to figure out what you are looking at)
All these shots together give visual variety so you don't get the same shots over and over again.
When you are drawing environments think about
1. SPACE
2. LINE (width and thicknesses)
3. SHAPE
4. TONE
5. COLOR
Ed's words of wisdow
Vanishing points in drawing can be used as pointers - to point to something you want someone to look at.
The more you know about perspective the more you can move away from perspective. The world doesn't always line up on a perspective line which is part of rea world situations. Your design sensibility lets you know if you want to make this perfectly in perspective or imperfect
Saturday, October 31, 2009
Organic Environments (i.e. Trees, Rocks, etc. . )
Sunday, October 25, 2009
Thursday, October 22, 2009
Sketching Around
Saturday, October 17, 2009
Sunday, August 16, 2009
Friday, August 14, 2009
Tonal Studies - Hymn of the Pearl
Hymn of the Pearl
Thumbnail of the kennels
First Layout

Perspective Overlay
Detailed Line Drawing

I did this as part of the work for Ed Li's Sketching the Environment Class at the Concept Design Academy


Perspective Overlay


I've been working on a graphic novel called the Hymn of the Pearl for several years. The middle of the story is partially inspired by the biblical Joseph story in Egypt. The hero, Gaspar, once a prince is now a slave in the Royal Kennels in Alexandria. At a certain point during his stay in the kennels, Odjit, the kennelmaster's wife, seduces Gaspar which leads to Gaspar's imminent downfall at the hands of Remmao, the kennel master. Before Gaspar is punished by Remmao, a shapeshifter, Neshera - part woman, part eagle rescues Gaspar from the kennels and his enslavement in Egypt.
These sketches are of Neshera, in Eagle form flying into the Kennelmaster's estate. The building in the foreground is the kennels. To the right is the family temple (chapel) The building behind the kennels with the awnings in the kennelmaster's mansion and the building in the top left is the workshops and servants quarters.
I did this as part of the work for Ed Li's Sketching the Environment Class at the Concept Design Academy
Labels:
concept design academy,
ed li,
hymn of the pearl
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