Showing posts with label transformative art. Show all posts
Showing posts with label transformative art. Show all posts
Monday, February 15, 2016
Sunday, November 29, 2015
From Caterpillar to Butterfly - Musings on Paschimottasana, Caterpillar Pose and the book, The Unfolding Self
Part of my final project for my Art 4 All People training is to do some writings from Ralph Metzner's book, The Unfolding Self.
The introduction from this book is called: From Caterpillar to Butterfly. This reminds me of the work I am trying to do in my Yin Yoga Class on Saturdays at The Yogi Tree. I believe if we can meditate on the qualities and energies of the animals in the yoga poses we can use their energies and archetypes to transform our own lives.
"There is nothing in a caterpillar that tells you it's going to be a butterfly."
Richad Buckminister Fuller
Caterpillar Pose in Yin is what is called Pachimottanasana in Hatha Yoga. Bernie Clark says the difference between Caterpillar and Paschimottanasana, is that in Caterpillar we are not trying to lengthen the spine or stretch the back muscles. Instead of bringing the head to the feet, round the spine so the head comes to the knees.
Bernie Clark in Caterpillar Pose
BKS Iyengar in Paschimottasana
According to Satyananda "this asana stretches the hamstring muscles and increases flexibility in the hip joints It tones and massages the entire abdominal and pelvic region, including the liver, pancreas, spleen, uro-genital system, kidneys and adrenal glands. It helps to remove excess weight in this are and stimualtes circulation to the nerves and muscles of the spine.
"What the caterpillar calls the end of the world, the rest of the world calls a butterfly."
Buckminster Fuller
In Light on Yoga, BKS Iyengar writes that the pose is also called Ugrasana or Brahmnacharyasana
"Paschima literally means the west. It implies the whole body from the head to the heals. The anterior or eastern aspect is the from of the body from face down to the toes. The crown of the head is the upper or northern aspect while the soles and heels of the feet for, the lower or southern aspect of the body. In this asana the bacck of the whole body is intensely stretched, hence the name..... Ugra means formidable, powerful and noble. Brahmacharya means religious study self-restraint and celibacy.
Bikram Choudury claims that this pose relieves chronic diarrhea by improving the circulation to the liver and spleen and improves digestion. He also says it increases the flexibility of the trapezius, deltoid, erectus femoris and bicep muscles, scaiti nerves, tendons, hip joints and the last 5 vertebrae of the spine.
What I teach about caterpillar pose is that the caterpillar is symbolic of preparing for the upcoming journey. Packing your suitcase. Getting Prepared. Putting everything in order before you go on your adventure.
"The caterpillar does all the work but the butterfly gets the publicity." - George Carlin
In the Unfolding Self p. 17 Metzner writes "There exists in human experience another kind of transformation, a radical restructuring of the entire psyche that has been variously referred to as a mystical experience, ecstasy, cosmic, consciousness, oceanic feeling, oneness, transcendence, union with God, nirvana, satori, liberation, peak experience, and by other names." This radical restructuring for me the change of the caterpillar into the butterfly.
Evolution biologist Elisabeth Sahtouris tells the story:
“Inside a cocoon, deep in the caterpillar’s body, tiny things biologists call ‘imaginal disks’ begin to form. Not recognizing the newcomers, the caterpillar’s immune system snuffs them. But they keep coming faster and faster, then begin to link up with each other. Eventually the caterpillar’s immune system fails from the stress and the disks become imaginal cells that build the butterfly from the meltdown of the caterpillar’s body. . . If we see ourselves as imaginal discs working to build the butterfly of a better world, we will also see how important it is to link with each other in the effort, to recognize how many different kinds of imaginal cells it will take to build a butterfly with all its capabilities and colors.”
The caterpillar archetype means pure potential, the promise of new life that dwells with our own bodies. The caterpillar reminds us that at some point, all the ruminating, processing and soul-searching will unfold into remarkable results. "Caterpillars are a blessing on new ideas. They indicate promising outcomes to projects in their initial stage, and offer good juju in terms of fruitful completion of goals.the caterpillar is a symbol of evolution and transformation too. Specifically, they convey a unique level of patience as they surrender to the process of transformation. Let's face it, once a caterpillar begins the process of transforming into a winged beauty...there's no turning back. In essence, caterpillar is a symbol of never looking back on the old versions of ourselves. Rather, the caterpillar encourages plowing forward with ever-evolving, more brilliant versions of our beauty and potential. "http://www.whats-your-sign.com/symbolic-caterpillar-meaning.html
When we change from caterpillar to butterfly Unfolding Self p, 19 "this kind of experience changes the way we feel about the world-our emotional attitude of basic trust or mistrust, faith or doubt, acceptance or rejection-and the way we feel about ourselves, our self-acceptance, self-esteem, self-love."
The caterpillar self-actualizes "brings into actuality of something that has been a latent potentiality". But it also loses its caterpillar self. The caterpillar is earthbound but the butterfly flies. Just as the shamanic healer undergoes a symbolic flight the butterfly has literally flight. Metzner writes that mystics "are butterflies who try to awaken the human larval caterpillars to the "immortal heritage" that awaits them." The caterpillar is reborn as the butterfly. Metzner writes p. 29 "There is always an ending, then a neutral, or intermeditate, zone, then a new beginning. "
The term metamorphosis is often used for the caterpillar's change into a butterfly. It gives us the hope as humans we can change just as significantly as the change from a caterpillar to a butterfly.
When we think about doing caterpillar pose and it is actually a very difficult pose for me. We can identify with the caterpillar that does not know what it is going to become but is living in the present moment of its life as a caterpillar. Doing caterpillar things. Be one with caterpillar when you are in caterpillar pose and be one with the butterfly when you are in butterfly pose. Both are necessary stages with equal benefits and important experiences.
The last word in this blog post and in the introductory chapter of the Unfolding Self goes to Chuang Tsu.
The last word in this blog post and in the introductory chapter of the Unfolding Self goes to Chuang Tsu.
"When one is changing, how does one know that a change is taking place? When one is not changing, how does one know that a change hasn't occurred? Maybe you and I are still in a dream and have not yet awakened . .. Be content with what is happening and forget about change; then you can enter into the oneness of the mystery of heaven."
Thursday, November 19, 2015
Who are my influences???
I was asked for my Transformative Art Training to explore who are my influences.
Hokusai
I love his paintings for the simplicity and compositions. He says so much with so little. There is an economy of color and line. I hope to achieve that in my work. Nature is a force and has a personality.
Hokusai has an inspiration passion for art the inspires me. This quote by Hokusai is something I live my life by.
"From around the age of six, I had the habit of sketching from life. I became an artist, and from fifty on began producing works that won some reputation, but nothing I did before the age of seventy was worthy of attention. At seventy-three, I began to grasp the structures of birds and beasts, insects and fish, and of the way plants grow. If I go on trying, I will surely understand them still better by the time I am eighty-six, so that by ninety I will have penetrated to their essential nature. At one hundred, I may well have a positively divine understanding of them, while at one hundred and thirty, forty, or more I will have reached the stage where every dot and every stroke I paint will be alive. May Heaven, that grants long life, give me the chance to prove that this is no lie."
Nathan Fowkes
Kathe Kollwitz
I discovered her in my grandmother's house and her people look like my grandmother's side of the family. Her mark making is amazing. Her emotions jump off the page.
Emil Nolde
The bold colors of Emil Nolde is what I love the most about his work. He uses color is completely forceful and energetic. I try for that in my work.
Laura Amazzone
Another one of my favorite teachers is Laura Amazzone. She taught me about the Goddess.
I have taken three classes with her at LMU and some at her Venice home. When I have more time in my life I want to get to her weekly Goddess circle and be one of her disciples. She makes the South Asian Goddess completely relevant to our everyday life.
Paulie Zink
Paulie Zink is my Yin Yoga teacher. He taught my the power of embodying the animals in the Yoga Poses. Making Yoga accessible and fun. I am amazed by his flexibility and humility. He is the TAO!!
Hokusai
I love his paintings for the simplicity and compositions. He says so much with so little. There is an economy of color and line. I hope to achieve that in my work. Nature is a force and has a personality.
Hokusai has an inspiration passion for art the inspires me. This quote by Hokusai is something I live my life by.
"From around the age of six, I had the habit of sketching from life. I became an artist, and from fifty on began producing works that won some reputation, but nothing I did before the age of seventy was worthy of attention. At seventy-three, I began to grasp the structures of birds and beasts, insects and fish, and of the way plants grow. If I go on trying, I will surely understand them still better by the time I am eighty-six, so that by ninety I will have penetrated to their essential nature. At one hundred, I may well have a positively divine understanding of them, while at one hundred and thirty, forty, or more I will have reached the stage where every dot and every stroke I paint will be alive. May Heaven, that grants long life, give me the chance to prove that this is no lie."
Nathan Fowkes
One of the best teachers I ever studied with was Nathan Fowkes. He was all about commitment, being prepared and putting in the hours. I took Head Drawing with him but what most inspires me about him is his land sketches that he does in a gray or brown paper sketch book. I love his bold brush strokes. As a teacher he inspired me to work harder and make a serious commitment if I expected to get better.
Kathe Kollwitz
I discovered her in my grandmother's house and her people look like my grandmother's side of the family. Her mark making is amazing. Her emotions jump off the page.
Emil Nolde
The bold colors of Emil Nolde is what I love the most about his work. He uses color is completely forceful and energetic. I try for that in my work.
Laura Amazzone
Another one of my favorite teachers is Laura Amazzone. She taught me about the Goddess.
I have taken three classes with her at LMU and some at her Venice home. When I have more time in my life I want to get to her weekly Goddess circle and be one of her disciples. She makes the South Asian Goddess completely relevant to our everyday life.
Paulie Zink
Paulie Zink is my Yin Yoga teacher. He taught my the power of embodying the animals in the Yoga Poses. Making Yoga accessible and fun. I am amazed by his flexibility and humility. He is the TAO!!
Mantak Chia
When I studied with him this summer everything he taught was about healing. Exercise, being in shape, any of that was not part of the discussion. He wanted to connect with the North Star and heal the Body, His practice of the 6 healing sounds and the inner smile are very important parts of my teaching right now.
Clarissa Pinkola Estes
Her audiobooks and Women Who Run with the Wolves have shaped my ideology
Labels:
Art 4 All People,
influences,
transformative art
Sunday, October 18, 2015
Painting the Hero-ine's Journey in 5 Layers - Return with Elixir
I have finished my 5 stage Painting the Hero-ine's Journey as part of my Transformative Art Certification at Art 4 All People. I loved the stages. I am not used to making abstract work but I really enjoyed it.
Here's my final painting it's kind of like a supernova
RETURN WITH ELIXIR - Layer 5
THE ROAD BACK - Layer 4
REWARD - Layer 3
TRIALS AND TRIBULATIONS - Layer 2
CALL TO ADVENTURE
Here's my final painting it's kind of like a supernova
RETURN WITH ELIXIR - Layer 5
THE ROAD BACK - Layer 4
REWARD - Layer 3
TRIALS AND TRIBULATIONS - Layer 2
Chakra Creation Gathering
Last month I hosted a Chakra Creation Gathering to create your own personal Chakra Mandala.
People asked themselves if there was any issue they were working on in their life? Self-Esteem, Confidence, Forgiveness, Joy, Security . . .?
Then we explored which chakra this emotion/issue relates to and begin the healing/growth/transformation process through art by making the chakra.
Here are the results. I was amazed
People asked themselves if there was any issue they were working on in their life? Self-Esteem, Confidence, Forgiveness, Joy, Security . . .?
Then we explored which chakra this emotion/issue relates to and begin the healing/growth/transformation process through art by making the chakra.
Here are the results. I was amazed
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